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山水畫家的藝術Taiwan Artist World

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台灣溪邊的綠草黑石給我的創作靈感|水墨藝術|梁震明【綠草黑石作品賞析】台灣山水系列|單宣|私人收藏

#art #水墨 #藝術 此作完成於2010年,目前為私人收藏。用水墨的媒材來表現台灣各地常見的溪流景觀,黑白色的石頭與綠草之間,存在一種虛實的張力,小石細草也能轉變成為大景,象徵只要有心,一切都是...

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目前為止所創作的最大作品|梁震明【無名虛相作品賞析】抽象水墨-單宣|高雄應用科技大學藝文中心典藏

#抽象 #抽象水墨#水墨 這是目前個人畫過最大的抽象水墨作品,創作於2010年,長580公分,寬180公分,是由六張紅星牌揀選洁白玉版棉料六尺單宣組成,由策展人溫淑婷小姐引薦,典藏於國立高雄應用科技...

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利用潑墨技法完成的水墨作品【黑色的孤寂作品賞析】台灣山水系列|紅星牌六尺棉料單宣|私人收藏

#潑墨 #水墨 #美術 這件作品完成於2009年,私人收藏中。是先用潑彩的方式將黑色顏料留存於紙面,再順著紙上的墨痕逐漸整理,完成似山似石的個人理想世界,創作是先有想法再去尋找適合的表現技法,絕非是...

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歷經14年才得以完成的水墨作品|台湾絵画|水墨|梁震明【綠草黑世界作品賞析】台灣山水系列|宣紙|私人收藏

#山水 #ink #art 這件作品歷經14年才得以完成,不斷的修修改改,主以陽明山地貌景觀為描寫對象,孤寂又荒蕪的綠草世界,小草也能成為畫面的主角,展現生命無限可能的企圖心。 ►►►歡迎訂閱梁震...

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塗抹洗米水後的墨韻效果|細筆山水|梁震明【千載悠悠作品賞析】龍洞系列|赤口金潛紙|私人收藏

#paper #金潛紙 #ink 這件作品完成於2015年,私人收藏中,是畫在日本製赤口金潛紙上,且塗上洗米水來改變紙張的紙性,洗米水用於水墨創作上,算是極為方便可得的材料,優點是可產生特殊的墨韻效...

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利用黑色顏料來增加墨色的視覺強度|水墨|梁震明【黃金溪泉作品賞析】台灣山水系列|單宣|私人收藏

#fineart #ink #paper 這是2009年所完成的水墨作品,除了用墨外,也用了黑色顏料來加強黑岩的視覺效果,在水墨畫中所使用的材料之特性,可說大部分都是為了符合寫字者的須求,例如對碳粒...

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透過放大鏡的協助來進行精細描繪的作品|台灣山水 梁震明【與石作品賞析】龍洞系列|畫仙板|私人收藏

#水墨 #藝術 #台灣山水 「與石」一作完成於2012年,私人收藏中。是畫在用四張金色畫仙板所拼成的畫紙上,並先塗上白色顏料來改變紙張的特性,好讓此紙性更符合個人的作畫需求,此外亦用放大鏡來協助細節...

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用水墨描繪陽明山小油坑的地熱景觀【生生不息作品賞析】陽明山系列|單宣|私人收藏

#山水畫#東方藝術#藝術 《生生不息》全幅為97乘181公分,作於2000年。紙用紅星牌揀選洁白玉版棉料六尺單宣[1],筆用上海工藝製一號豹狼毫筆皴擦,兼毫筆染墨。而使用的墨與黑,則有兩種:龍文寶研...

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台灣山水畫|梁震明【壁映晨曦作品賞析】龍洞系列|畫仙板|私人收藏

#岩彩 #紙本 #設色 ►►►歡迎訂閱梁震明頻道:https://bit.ly/33R0bmf 【梁震明簡歷】 國立台北藝術大學美術創作研究所畢業。 曾任國立台南藝術大學藝術史系及東海大學美術...

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利用自製黑色顏料鍋底黑來進行水墨創作|台灣水墨梁震明【草山冬色作品賞析】陽明山系列|單宣|私人收藏

#山水#藝術#台灣水墨 這件作品是描寫陽明山小油坑的地熱景觀,完成於1999年,且用鍋底黑及其他黑色顏料來畫,並繪製在宣紙之上,嘗試呈現一種黑中帶黑的視覺效果,也希望為台灣水墨尋找新的表現方向與可能...